All The Pretty Things Between

Face The King Lyrics copy 1

So. Hard. To decide.

Which Face The King song to feature. Because my head is all . . . blurry.

Being in love does that.

And Eric Zirlinger has a voice to fall in love with.

The first song I heard by the New York City based band Face the King was All The Pretty Things Between. With one chorus—the band had me. It’s just such a . . . Lemonheads thing to say. (Yes, they’re still around, who knew?) All The Pretty Things Between. It’s a book title. A movie. A life. Plus, the infectious, poppy chorus reminds me of the Stone Roses, on a really good day. Caffeinated.

Then there’s The Science Apart, which takes its cue from the early music of U2. And You, Me & the Sound, a whirl-around-the-room song, that again, makes me think of Bono.

But I think The Stage is the Face The King song I love the most, so that’s the one I’ll post.

“Well I just want to be

Onstage

When the lights go down . . . ”

On their website, the members of Face The King call themselves an “independent alternative hard rock band”, and they definitely are. But on The Stage, the first verse is whispered, and the languid vocals of the first chorus have a delicate beauty that builds until Eric Zirlinger slides into a falsetto so full of yearning . . . it’s like a spill of late afternoon light.

By the end of the song Zirlinger is practically shouting, and that works too. If you’ve ever wanted something so badly you’ve cried for it, you’ll feel this song.

I imagine Linkin Park fans in particular will love The Stage, and some listeners might even say that the song is graced—just for a few gorgeous notes—by the spirit of Jeff Buckley.

 

You say that I’m a dreamer . . .

But you’re calling my name

You say that I’m failure . . .

But you’re calling my name

 

Well I just want to be on stage,

When the lights go down

I just want to be on stage,

When the lights go down . . .  

 

You say that I’m a liar,

But you’re calling my name

You say that I’m an alien,

But you’re calling—you’re calling my name

 

I just want to be on stage,

When the lights go down

I just want to be on stage,

When the lights go down . . .

 

They’re calling my name

They’re calling my name, (I just want to be)

They’re calling my name, (I just want to be)

You’re calling, You’re calling, You’re calling my name . . .

 

I just want to be on stage,

When the lights go down

I just want to be on stage,

When the lights go down . . .

 

They’re calling my name, (I just want to be)

You’re calling my name, (I just want to be)

You’re calling my name . . . 

 

Face The King is Eric Zirlinger (vocals, guitars, keyboards), Dan DelVechio (lead guitar, keyboards, backing vocals), Joey Dammacco (bass, synth, backing vocals), and Randy Palumbo (drums, percussion).

Singer Face The King

Face the King Guitar

Face The King Bass

Face The King Drums

PS Great news: You can get these songs for free, along with one more. A stadium ready, anthemic tune called The Burning and The Falling Down. The five songs comprise The Sound, a preview EP that’s newly released in anticipation of the band’s full length CD.

I don’t know how long Face The King will be giving away The Sound, but for now it’s available to download.

And then you can listen to it over and over.

More Music from the UK

On the fourth chord of I Sign I broke out in goosebumps. I don’t mean a couple sprang up along my arms, I mean shivering skin, all over my body. And that was before  Zara Kershaw started singing, her voice all breathy and bluesy.

I Sign is definitely part blues, but it’s a lot more. I Sign is pop, it’s alternative, and there’s something about it that makes me think of Broadway at it’s best.

Maybe that’s singer songwriter Zara Kershaw’s musical training showing, or maybe the lush piano and string parts that come in around minute two are responsible for the big sound that says, concert hall.

Then the music starts to swing, to skip towards a section that serves as a bridge but also as the triumphant sounding climax of what is essentially a love story. Although I confess, I can’t figure out if this love is beginning or ending, I absolutely love the concept, “I Sign”, whether to begin, or end, a relationship portrayed in a three-minute song. Brilliant.

Zara Kershaw describes her songs as having “contrapuntal streams of enriched vocal harmony” and towards the end of I Sign I found myself choosing my favorite vocal line and singing along. After a while I created my own harmony and layered it on top.

When the song ended at just over three and a half minutes, I was surprised. It didn’t feel long enough. I wished for a second chorus before the swinging section, or repeated choruses at the end. But really, there’s no problem with I Sign, you must simply play it over and over.

Zara Kershaw is from the UK and I thought I might have heard the influences of Kate Bush and Peter Gabriel in her music, as well as a bit of raw energy that I consider more . . . American. That bit of edgy blues made me think of Melissa Etheridge, but just for a second. Singer songwriter Zara Kershaw is her own artist. If we’re lucky she’ll come over and play a few shows. If she does, you’ll hear about it on Sirenstories. Stay tuned.