Out today on CDBaby. Soon to be on iTunes, Spotify, Amazon—wherever music lives. I wrote “Before Goodbye” to go along with my debut novel of the same name. You can get a copy of the song by clicking here. Hope you enjoy! “Before Goodbye” was recorded in Woodstock, NY and produced by the illustrious Kevin Salem.
SoundCloud, where the Sirenstories SoundCloud lives, is apparently a great place for collaboration. From what I can gather, among other things, it’s like . . . online dating for musicians, or rather, online making.
With Valentine’s Day fluttering towards us on ickle cupid wings, it seems like a good time to post one of the collaborative pieces submitted to the Sirenstories SoundCloud. There have been quite a few uploaded recently.
Roses is a gorgeous song full of yearning, with a guitar track from Telefan and lyrics and vocals by Linde Sagen.
I’ve listened to Roses over and over for about twenty minutes. There’s something elusive about the song. The form sounds loose, feels organic. The lyrics seem a little loose as well, as far as rhyme, and at times, even reason. And yet . . . I love the lyrics. Love the surprising sentiment of the song: Hold your roses back.
Jim M from Philadelphia, who goes by Telefan, is a guitar player who has collaborated with dozens of artists on SoundCloud. He was the one who uploaded Roses, so I looked him up to find out a bit more about the song, but found only this lovely note: “Linde Sagen created some amazing vocals and lyrics for my music. It was an honor to work with her again.”
I’m sure Linde Sagen would say the same about Telefan. His jazz inspired guitar playing has a beautiful, clean tone. I look forward to listening to more of his collaborations.
Roses
Do you remember our very first night; we were busy chasing green lights
Time was raining on with crazy love, holding hands, dancing with a free mind
And the smell of green grass was never greater
Hold your fancy roses back, don`t buy me with a bunch of fancy crap
Hold the speed of your words, what does it matter now, wrong or right
Hold your roses back, I don`t need them anymore
See whatever that comes around, you’re begging me for more
I said hold your fancy roses back, I said hold your fancy roses back
I don`t need them anymore
Dazzled away by roses, dazzled away by a bunch of fancy roses
It’s hard tonight, imagine what the world would be without you
Just a bunch of fancy roses (those days are over)
Hold your fancy roses back, don`t buy me with a bunch of fancy crap
All I know it’s better than before, all I know his living for the moment
Roses, all I know he`s breathing on me now. This boy never read the weather
All I know he`s breathing on me, don’t you ever stop
I see you holding back the future, I see us falling back to pieces
Hold your fancy roses back
Where does he run to, where does he run to now
I`ll never lay me down in his bed of roses . . .
Linde Sagen – lyrics, and vocals.
Telefan – guitars, and bass.
The availability of digital recording software, apps, and dyi culture, coupled with the constant state of flux of the music industry, has allowed the process of home recording to become just as sophisticated and creative as studio recording. These days, plenty of talented musicians make their records at home.
And then there are the musicians that make their records sound like home.
That’s the case with Michelle Held—whose name is a speck of a song all its own, go ahead, say it aloud—a singer songwriter from Detroit, who “has a big heart and a guitar” and whose gorgeous song, God Damn I Don’t Know, (which she recorded at home), is a thing of beauty and provocation.
Somebody said I should believe in you
And somebody else said that you’re just not true
And the other guy he claims it’s just a vibration between the two
He said we’re always in motion
And the other guy says that’s just some magic notion he made up
To fill in the gaps
Everybody’s walkin along at their own accord tryin to get some sort of award
Cause they think it means somethin
But I don’t know I don’t know what it means anymore
I’m tryin to clear my head
I’m just walkin along thinkin about people who’re passed and dead
And I don’t know where they gone to
Thinkin about em makes me sad and blue
And it makes me wanna stay so damn true
But I don’t know I don’t know who to stay true to
Everybody’s right and singin their own song and if they sing it loud enough
They’ll be able to prove you wrong
But I don’t know I don’t know anymore
And the other guy says that I do know
And I got all I need to prove it’s so
But I don’t know I don’t know if he knows what he’s talkin about
Everything now seems strange to me
You seem weird too but don’t take that personally
Cause I don’t I don’t know what I’m talkin about
And if it’s true if it’s true that I do know
And I got all I need to prove it’s so
Well if that’s true if that’s true then why do I feel so God Damn blue
And now I’m afraid I just offended you
But those are just some letters that somebody threw together
And who’s to say who’s to say they have to remain that way
Maybe all that was once tried and true has grown
And what was set in stone has been blown it ain’t new no more but old
And all the stories we were sold how can you be sure that they still hold
Maybe the person who said it was black or white or good or bad
Was just as sad and blue as you and me and
Maybe he was trying to find his own way tryin to find a way to break free too
And the other guy said just take the time commit your mind
And sooner or later you’ll be fine
But I don’t know I don’t know I don’t know if he’s right
But I hope he’s right I hope what he’s sayin is true
And I hope this fight takes me from here to you
Cause if it don’t take me somewhere well that don’t seem fair
And you gotta remember the joy’s in the journey
But does the joy end after they wheel you out on that gurney
I don’t know I don’t know anymore . . .
Michelle Held has contributed several songs to the Sirenstories SoundCloud and God Damn I Don’t Know is my favorite. Although there are plenty of differences in style, for example Held’s voice is unparalleled when it comes to vibrato, Michelle Held makes me think of Rickie Lee Jones, early Michele Shocked, and Elizabeth Cotton—quite an aural cocktail.
God Damn I Don’t Know is a song written out frustration with life; not knowing what to do with it. Think Held’s figured it out, yeah?
Love the tags she used on SoundCloud: Indie. Folk. Tired of the Bullshit. Question Everything.
Please follow Michelle Held on fb and twitter.
Then check out Libby, still going strong at 92.
This Could Be Yours is certainly an evocative name, but maybe this Berlin based band should be called They Could Be Huge. They’ve got all the ingredients for pop stardom.
A pulsing body of an indie/postrock song lying in an atmospheric electronica bed, At Your Feet is intense, yet almost delicate at the same time. It’s driving, but contemplative.
I hit the road
Become insane
If those forces really please you
I will be the one that you never see again
It’s a misery that’s fitting
“Desperation Of The Day”
And you don’t seem to know
All those ghosts around here
seizing hold of your friends
Oh yes, you were laughing out loud
To witness the words that you’re spitting
Shuts my mouth
You never know when to stop
You never fall
Down at my spot
Decomposing and decay
Please don’t open up those eyelids
Don’t you get a glimpse of that
dwarf at your feet
Oh yes, you were laughing out loud
To witness the words that you’re spitting
Shuts my mouth
To silence you once for all
Every minute that I stayed
This plan did grow
I wanna make you lose
I could have sworn
You never know when to stop
You never fall
This Could Be Yours is Max Wiegand (Vocals, Guitar), Levin Siert (Guitar), Fabian Haupt (Drums), and Jan Möller (Bass).
Max was kind enough to tell me a bit about the band.
“The core of the band has existed for about ten years now. Everything started in a town called Bremerhaven which belongs to Bremen but is 60 km more far to the north. The three of us (Fabi, Levin, and me ) grew up close to the northern sea. The last missing member, Jan, is from Berlin originally, and took over the bass almost two years ago. We came to Berlin in late 2009, where we went through various changes, not just in line-up but also in terms of music. Also the name ‘This Could Be Yours’ was found here.”
I love the way Max says that the name of the band was “found”, as if it was waiting for them.
The official music video for At Your Feet is equal to the song, a combination of video and animation that is just as pleasing as the mix of musical styles.
This Could Be Yours will announce some new tour dates soon. Hope NYC makes the list, because I love these guys. Even without the stage makeup.
Philly area Singer Songwriter Denise Moser was one of the first Sirens on this blog and I’m very happy to share the news that she’s released a new CD, Here Right Now.
The excellent, detailed review written by John Apice and published in No Depression on January 27th covers just about every aspect of Here Right Now, and he calls Unfinished Song the bravest song on the CD. I agree with him completely, and although guitarist Marc Moss did a wonderful job producing this gorgeous, honest collection of songs, Unfinished Song, an a cappella piece that gave me chills when I first heard it, is my favorite.
It’s lionhearted.
And it’s not just the fact that Denise Moser sings this song alone and unaccompanied that makes Unfinished Song so courageous, it’s the content, and the simple, profound resolution in her voice. If I was willing to bare my soul, like Denise does, this part of the post would be a lot longer. Instead, I’ll just say that I love this song so much, it hurts.
Blank paper is an old friend
My life’s unfinished song
Pretty lines and melodies
No rhyme to hang it on
I walk down roads look straight ahead
And then I change my mind
I lose the path I double back
Regrets can be unkind
Bright stabs of inspiration
Sometimes I do my best
I put a good face on it
But this heart needs a rest
My mind is all a clutter
In places you can’t see
I never was a mother
That part of me bleeds
Denise released Here Right Now at the end of 2012, and despite the fact that I’m late with this post, she was generous enough to share her thoughts about Unfinished Song.
“It’s interesting to me that Unfinished Song resonates with people. I actually wrote that one a while back, just for me. It came out in one sitting with very little editing. No one else was ever supposed to hear it.
One day in the studio, I thought of it, and I wanted a good version for myself, so I asked Marc to start a new track, and I sang it. He liked it and planted the seed of an idea that I put it on the CD. I had it on the list of songs for consideration and shocked myself a bit that I put it on. It makes me feel vulnerable, and at the same time I don’t live in that space anymore.
Seven of the eleven songs on the CD were written within the past year and a half, and the other four are older ones that I wanted to include in this collection. I surprised myself a bit by what I left out and what I kept in some instances.
I feel proud of this CD. My dad died in March of 2011, and that ushered in a period of intense creativity – it felt like the veils between the sacred and the ordinary were thin. At the same time, I committed to songwriting for 55 minutes a day. I call it my Duck Sessions, because at the end of 55 minutes, the duck on my iPhone timer quacks. This has been my most prolific time, and I’m grateful that new songs continue to be unearthed. I’ve even begun writing customized songs for other people. There are two of those on this CD as well.”
Like The Sea
The sea, I feel you like the sea,
deep inside, yet so far away.
I cling to every word you say,
you stole my heart, please give it back to me.
Could it be that it was all just a game to you?
Am I really such a fool?
Don´t you feel the nearness of us?
Life without you is just a rainy day.
Time plays tricks on our minds.
Still I hope there´ll be for us a time.
Anjù is Anja Graefe, a singer songwriter from Ulm, Germany. Anjù recorded Like the Sea at her home, and perhaps that’s part of what gives the song such an intimate sound, but most likely it’s Anjù’s voice, which is quiet, often just above a whisper. The lovely acoustic guitar part and bare bones bass line that accompany Anjù’s spare and sophisticated vocals offer the perfect amount of support to both singer and song.
Anjù‘s smooth voice has just the right amount of inflection and vibrato for contemporary folk, jazz, and even blues. Her approach to blues on her digital album The Attic Sessions is especially refreshing; there are no snarling or guttural sounds that all too often hit the listener over the head because they’re just not, well, snarly or guttural in the right way. Anjù on the other hand sounds a bit like Fiona Apple might sound if she were drifting off into a dream . . . Maybe even a little like Nora Jones. Anjù also tips her hat vocally to some of the icons of jazz, but possibly Chet Baker more than anyone. Just Get Lost, The third track on The Attic Sessions made me smile.
You can get Anjù‘s digital album The Attic Sessions on her bandcamp site and I suggest you do. There are quite a few songs that are just as good as Like the Sea, and all have the same sparse arrangement of voice and guitar. All the songs on The Attic Sessions, whether they’re bluesy or jazz influenced, are evocative and atmospheric, and Anjù’s voice has a lovely, subtle musicality that invites the listener in. Enjoy.
