Sirenstories usually features music, but after I came across several pieces online by visual artist Kamil Vojnar, I really wanted to write about his gorgeous work. I say wanted to because I did want to, and I tried, but I’m so enamored by his images, I’m finger-tied. It seems I care too much.
This is the first piece by Kamil Vojnar that I fell in love with. In. Love.
I was searching for an image to represent Sirenstories, not this blog, but the YA trilogy of the same name that I’m writing. This spring I’ll be working with an editor who will help me shape and polish the first book, and someone suggested I use kickstarter to fund the work. But I needed an image to attract people to my project.
When I found Kamil’s Siren standing above the beach, I gasped in recognition. He is one of the characters from my trilogy.
But I don’t think that would please Kamil Vojnar. Even if I created the most memorable character in literary history, even if I made him heroic, and brilliant, clever, and magical, Kamil would not be happy because that would mean the pinning down of one of his images, something that is not meant to be. The essence of Vojnar’s work is light and movement.
I’ve rewritten this post a dozen times, and I’ve cut nearly all that I thought I wanted to say. I’ve spent hours online pouring over websites that feature Vojnar’s stunning pieces as well as information about him and his exhibits, but I couldn’t find the words I needed. They all sound stiff compared to his ethereal images. Music would describe his work best I think, or a poem might be able to, if it were read by someone with a complicated, beautiful voice, and it was endless.
Kamil and I have exchanged a series of emails, and he was kind enough to allow me to use the above image for my project, but now that I’ve learned so much about him, that almost seems wrong. It is all too easy to commercialize Kamil’s work, because it is instantly enjoyable, but that doesn’t mean that his art is easy. His work has darkness in its depths, and its light creates haunting shadows. Kamil Vojnar is a fine artist, and although his work has a fleeting quality—or perhaps that quality belongs to the moments portrayed—it is not meant for fleeting purposes. His pieces are full of unanswered questions, restlessness hidden inside stillness, and sorrow that will not be resolved. We’ve all heard music that makes us ache. There is something here we cannot obtain, something unknowable, perhaps unthinkable, possibly unbearable.
Obviously Kamil can’t upload his pieces to the Sirenstories Soundcloud, but he knew that I would be writing this post, or trying to. I think he will appreciate my frustration in trying to find the right words.
Kamil Vojnar‘s website is a beautiful, evocative place to visit. No matter what kind of artist you are, you will find inspiration there starting with an ephemeral series of images that seem to melt into one another. Each image vanishes into the next and there is no ‘button’ on his site to click back to this series of pictures. I think that perfectly represents the art of Kamil Vojnar. Each piece is a moment from a dream, captured but not contained. Each image murmurs, possibility . . . and the viewer wonders, what has just happened? What will happen next?
Please click on the image above to give yourself the gift of a journey into Kamil Vojnar‘s sensual and sorrowful world.
Tanguy Dairaine used Kamil’s images to create this video for French pop star Patricia Kaas, which she used on her 2009 tour. The video was projected on a giant screen behind her while she sang her intimate song, Une Derniere Fois.